As film critic, Charles Tesson wrote several important books on cinema and he is a senior lecturer in Film History and Aesthetics at La Sorbonne Nouvelle (paris III). He has wrote for many years for Les Cahiers du Cinéma, where he was the editor-in-chief from 1998 to 2003. He entered the Selection Committee of La Semaine de la Critique for the 49th and 50th editions, before becoming its Artistic Director in April 2011. He is also the President of the Aide aux Cinéma du Monde commission (CNC, French Institute) from 2016.
Journalist and film critic, Danielle Attali has been the head of the cultural department with Journal du Dimanche for over twenty years. Jury member for “Aide à la realisation” of the Gan Foundation in 2014, she covered more than thirty editions of the Cannes Film Festival. She was a co-writer of the book on the 70th anniversary of the Cannes Film Festival in 2017 (Edition Stock). Since 2017 she works as an independent critic and devotes herself to writing.
Lecturer at the Nanterre University and intervener at Le Cercle on Canal+ Cinéma channel, Ava joined the editorial team of Clap! in 2011 and became the co-chief editor in 2012. She actively took part in the creation of the magazine associated with the website and became the editor-in-chief in May 2015. Her first essay on Woody Allen was published in November 2015 (Archipel Publishing House). In 2017, Ava takes part in creating the website Frenchmania, and acts as Editor in Chief. In November she also published the book, Cheforama (Nouriturfu publications). Her third work, an essay about the TV show Game of Thrones will be published in March 2019 (Du Rocher publications).
Pierre Simon Gutman is the deputy editor for l'avant-scène cinéma and mise en scène and cinema history teacher for ESRA in Paris and Brussels. After a PHD on Michael Cimino, obtained in 2008 at Paris VII Denis Diderot, he has been teaching at Paris VII and Nancy 2 universities. He has been a collaborator for 3 Couleurs, Éclipses and l'Annuel du cinéma, has directed several short films and has been a member of the feature films selection committee (2007 to 2010) and short film committee between 2013 and 2016.
General editor of the Trois Couleurs magazine and manager of the MK2 editorial board for four years, Sandrine joined Le Monde in 2012. As film critic, she is presently involved in various schemes destined for screen education and contributes to La 7e Obsession magazine.
At the same time journalist, but also film and music critic at L'Obs, he collaborates with the monthly Lui and the broadcast Le Cercle on Canal+ Cinéma channel. Between 1999 and 2008 he worked for the cinema monthly Première and he officiated for such broadcasts as Le Grand Journal on Canal+ and Dimanche 2 Cinéma on France 2. He wrote in collaboration with Alexis Trosset the monograph Martin Scorsese, which was released in 2004 by Dark Star publishing.
Journalist and film critic, Léo has collaborated among others with Libération, Les Inrockuptibles or Premiere. He is the head programmer of the International Festival of Independent Films in Bordeaux since its creation in 2012. Since 2016, he is also a programmer for feature film at The Rotterdam Film Festival. At La Semaine de la Critique, he was a member of the selection committee for feature films for six editions (2009-2011, 2013-2015).
He is a journalist for Fiches du cinéma; assistant editor for Capsules. Co-founder and former editor-in-chief of the online magazine Cinématraque. Jury member for the Short Film prize awarded by the French Union of Film Critics.
After six years with Critikat.com, Carole Milleliri joins the Clapmag.com team in 2013 and becomes its editor-in-chief the next year when the magazine Clap! appeared. She also helped develop the « apéro-screenings » with Collectif Prod, a scheme dedicated to short films and she created the Ciné-Rebelle Festival in 2014.
Journalist and film critic, Marie-Pauline Mollaret is the editor-in-chief of the web magazine EcranNoir.fr and also contributes to several specialised magazines, such as Bref and L'Avant-scène Cinéma. In 2019, She also took part in the selection committee of the Annecy International Animated Film Festival as well as the preselection committee for animated films of the César Academy.